It seems an apt moment to highlight some of my favourite words: adoptions from other languages that have subsequently become partly or wholly ‘nativised’ – that is, admitted into English usage despite their exotic origins and overtones.
As an unashamed poseur (‘one who puts on airs, affects an attitude or style, usually to impress others’, from French poser, to place or put, first attested in 1869) and a dilettante (‘one who casually cultivates or dabbles in arts and/or literatures, from Italian dilettare, to delight (in), first attested in 1733), I have been accused of being a flâneur to boot, but take this as a compliment, as it uses the French verb flâner, ‘to wander’ or ‘saunter’, to describe a sophisticated, idler, perusing at their leisure the novelties and curiosities of the urban cavalcade*. As you can tell, I have always been drawn to fanciful, colourful terms, particularly when they serve as critiques or slurs (some of them are traditionally gendered as male, but feminine counterparts are now permitted, even in the countries of origin). Here is a small selection of examples, with more to follow shortly…
The word means a swindler, fraud or trickster and comes from the Italian invocation monta in banco! ‘climb on the bench!’ supposedly directed to a seller of quack remedies, later known as a montambanco (the word which was anglicised in the 16th century), who mounts a platform in a fair or public place to peddle their wares to credulous onlookers.
Almost a synonym for mountebank, the charlatan was a seller of useless remedies, later generalised as a fraud, a fake, a dissembling hypocrite. The word is from Italian ciarlare, to babble, as in blustering, bamboozling sales-talk practised by a ciarlatano, which became French charlatan whence the early 17th-century English borrowing.
A snobbish term of condescension, contempt and dismissal, the French word literally denotes someone who has arrived, ultimately from the Latin verb pervenire, ‘to come to, reach’. Its sense in French and later in the English of the early 19th century is a social climber who has attained or claimed a social position that they do not deserve. It is a near-synonym for arriviste, also French, adopted in the early 1900s to sneer at someone who has recently acquired undeserved and unaccustomed status – but without managing to gain the esteem that would normally accompany such success.
This derogatory description of someone who is considered foolish, embarrassing, craven and pitiable, is said to come from the Italian poltro, ‘sluggard’ or ‘coward’ which became poltron in Middle French before being picked up by English speakers who were particularly fond of deploying it during the 18th century. The Italian ancestor possibly derives from Latin pullus, ‘a young chicken’, ultimate origin of the English pullet and poultry.
Another more technical French categorisation (normally given its French pronunciation), adopted into English in 1798 and often employed as a pejorative, can refer to an individual or social class or cohort whose income derives from property, a form of capitalism which profits by monopolising access to property, or a state deriving national revenues from the rent of indigenous resources. Rente in French denotes dividend or income and rentier (first recorded in 1650) referred to persons of ‘independent means’, typically landowners and landlords, thus could be applied to the ‘idle rich’. ‘Rentier capitalism’ describes the collecting of income from rents, investment or dividends rather than from labour or productive activities and without reinvesting in socially worthwhile schemes.
The unattractive characters listed here are often instrumental in provoking disasters, catastrophes and confusions, for which, again, we have in the past raided our neighbours’ lexicons in search of more sonorous, memorable pejoratives…
This word, denoting an utter, often humiliating disaster, is the French débâcle, popularised in the troubles of 1848 and then meaning a collapse, a downfall, an unleashing of chaos. It derives from the verb débâcler, from earlier desbacler meaning to unbar in the sense of removing a river barrier and permitting a damaging outflow of ice and floodwater. The literal sense became a technical geological and engineering term in English in 1802, followed a little later by the figurative use.
The word, of Italian origin, again came to us via French, first attested in 1855 as theatrical slang for a botched performance or flop. By 1862 it was being used outside the theatre for an ignominious failure or embarrassing disaster. It comes via the French phrase faire fiasco ‘result in a failure’ from Italian far fiasco, literally ‘make a bottle,’ (fiasco is Late Latin flasco, the origin of English flask). Nobody is certain whether the original idea evoked was the accidental or clumsy smashing of a bottle or the loser of a game of chance having to buy the winners a bottle of wine. I should perhaps add that my old friend, the musician F. Robert Lloyd, tells me from Paris that in the French of the 50s and 60s fiasco could refer, in polite speech, to a gentleman’s inability to ‘perform’ in an intimate, non-theatrical context.
Now in English denoting a confused mishmash or mess, a jumble of ridiculous notions or disorganised ideas, farrago began as a Latin term for cattle-fodder made up of different ingredients and was borrowed, via Italian, in the 1600s.
This sonorous multisyllabic word could easily be dismissed as an ‘inkhorn term’, an obscure, little-known and archaic, not to say outrageously pretentious usage (first attested in 1543 – a word imported or used unnecessarily by scholars who dipped their pens in inkwells made of horn), but I like it and try to insert it into my conversations as often as possible. It means boastful, inflated talk and/or behaviour and was based on the name Rodomonte, a King of Algiers and a braggart, in the early 17th-century Italian epic poems Orlando Innamorato and Orlando Furioso. In a similar vein fanfaronade is a nice description of arrogant, boastful talk. It may also denote a military fanfare and comes from fanfarrón, a word still used in Spanish to mean a show-off, blusterer or blowhard. Very rarely used, but surely very useful, and very timely is pasquinade which means a satire or lampoon, typically posted provocatively in a public place. It is inspired by the ‘Pasquino’ statue of a male torso displayed in Rome, on which the learned would attach verses and where wits would stick anonymous barbs and mocking diatribes.
A confused, chaotic and embarrassing entanglement. The term was adopted into English in the mid 18th century, first in the sense of ‘jumble’, then more specifically in reference to diplomatic or political misunderstandings. The word is Italian for a tangle or muddle from broglio, confusion, intrigue, snarl-up and the derived verb imbrogliare.
Meaning an agitated hubbub, a confused uproar, an overexcited reaction – especially in cases when a minor incident is exaggerated – the word was borrowed in the late 19th century from 15th century French. It may be imitative of the noise of public clamour, and is thought to have been the sound of the devil laughing as performed in morality plays. Some authorities derive it from a mangling of the Hebrew barukh habba – ‘blessed be the one who comes.’
You may well find my lucubrations (‘archaic – a learned or pedantic piece of writing’) rocambolesque – far-fetched, fantastic, grotesquely inappropriate, from Ponson du Terrail’s character Rocambole** – and you may detect a hint of persiflage (light irreverent bantering) – but surely you’ll admit they are topical. There are other such expressions in my files which deserve to feature in this list and I will add them shortly – but please feel free, as Twitter acquaintances have already, to donate your own examples, for which I will thank and credit you, as long as you don’t mean them personally…
*cavalcade, by the way, is yet again from Italian, this time from cavalcata, a procession, passing show, from cavalcare ‘to ride’, based on Latin caballus ‘horse’.
** from Spanish ‘carambola’, from Malaysian for Starfruit, meaning also bumping and trickery. Rocambole denotes several types of leek and garlic – and a ‘Brazilian Swiss Roll’ apparently. In today’s French it means ‘unbelievable’ or ‘over-the-top.’