Many TV shows have promoted and propagated catchphrases and slang: ‘Luvly jubbly’ from Only Fools and Horses, ‘Cowabunga’ from the Teenage Mutant Ninja Turtles, for example, but probably the first reality TV series to lodge words and phrases in the British consciousness was T.O.W.I.E – ‘The Only Way is Essex‘ – source of ‘wel jel’, ‘reem’ and more. Love Island, now in its second series, also features a similar demographic – young adult, not necessarily highly educated, extrovert, fit (in both senses) and narcissistic.
As a linguist studying slang, I’m used to having to listen to and interact with criminals, social deviants and other ‘unsavoury’ characters, but one of the most painful experiences of all for me is the obligation to watch reality television. This is not mere linguistic snobbery – though that is certainly a factor – but, if I am honest, because I would never even in my youth have been selected to take part in these beauty contests cum dating games on account of my physical shortcomings. Nevertheless, I have been dutifully tuning in to Love Island recently and trying to come to terms with examples of what linguists call a ‘restricted code’, that is a limited vocabulary and limited grammatical repertoire of made up of simple structures and colloquialisms. This can reflect the limitations of speakers’ communication skills and literacy-levels, but does of course result from the very restricted environment in which participants are placed and the simple, repetitive actions and interactions they have to perform.
You might say, uncharitably perhaps, that the contestants on Love Island are also infantilised by being coerced into playing out simple and repetitive relationship games for the benefit of a voyeuristic audience. The words and phrases which result, and even the intonation and tone of voice that emerges is a weird mix in which the young ‘stars’ alternate attempts at complex formulations when describing psychological pressures with frivolous slang when flirting or teasing, all delivered in the rushed and breathless accents of toddlers.
Psychologists talk about the act of ‘mirroring’ whereby people imitate subconsciously the speech, gestures, mannerisms of others, either to ‘honour ‘ them (if they are seen as high-status or admirable) or to show solidarity and empathy. There is a neuron in the brain that triggers this mimicry in sharing emotion, reinforcing relationships and bonding. Mirroring is contagious like yawning and, again, inside a closed and comparatively claustrophobic environment, its effects are intensified.
The slang used on Love Island may be part of what linguists call a ‘stigmatised’ variety of language – i.e comprising linguistic features that are disapproved of and usually considered substandard in normal society, but slang is at the same time what linguists call a ‘prestige variety’ within the in-groups or subcultures where it originates and where it is exchanged, in other words it confers status on the user and excludes the outsiders who aren’t cool enough to understand it and deploy it convincingly. So for the island community slang helps to reinforce identity and for their fans provides an opportunity to identify with them and emulate them.
The Radio Times has supplied a helpful glossary of the words and phrases in question:
Despite all my misgivings I agreed to speak to journalist Ralph Blackburn about the programme. Ralph had been intrigued by the way the contestants increasingly adopted one another’s language mannerisms just as their vocabularies seemed to reduce as the series progressed. His article appeared today in the Daily Mail:
In the summer of 2021 Dr Hannah Charnock decoded the language of sex employed in the programme (still popular, but condemned by some as a sleaze-fest) for TheConversation:
…And at the end of July the tenth series of the show finished, prompting a cultural retrospective from Lauren Cochrane for the Observer, to which I contributed:
How could an obscure, elderly linguist have anything relevant to contribute to the debate now – belatedly – taking place on knife crime in the UK? It is many many years since I hung out, ineffectually feigning menace, with a gang of suburban mods (in the days when ‘bovver boots’ were the only dangerous item of subcultural paraphernalia), many years since I taught in an inner city London school and watched as younger teens gradually became disaffected and detached from family life and adult society. Much later I investigated and wrote about the successive waves of tribal youth culture – hippies, neo-teddy boys, punks, new romantics, rave aficionados, hiphop enthusiasts and the rest – who occupied the space reserved for ‘folk devil’ in the periodic ‘moral panics’ that the grownup public, with the help of the media, has always indulged in.
I was always interested in the outward signs and symbols, the accessories and the poses that these groups used to design and to project their identities, simultaneously signalling their belonging and their rejection of outsiders. I was more than anything interested in the special language that they used, generally characterised as ‘slang’, to communicate with one another and to baffle and dismay their perceived enemies – parents, teachers, the forces of social conformity in general.
It’s only by deciphering and understanding this sort of language – or rather these languages – that we can hope to enter the world of peer-groups, in-groups and gangs, to come to make sense of their rituals and obsessions, their thoughts and feelings. I have collected the slangs of adults and of younger speakers operating in all sorts of contexts, publishing a succession of dictionaries and articles over the years and teaching and broadcasting about these and other ‘nonstandard’ and controversial areas of language such as business jargon, fashion and lifestyle buzzwords and the ‘weasel words’ of politicians.
I wrote last year about the distressing, frightening language used by members of street gangs who identify with the Drill music genre, and on this site you can find my updated dictionary of the terms they and their followers and imitators use, terms which many other quite innocent and uninvolved young people will be familiar with, but which are alien and incomprehensible to most adults. There are links to news articles accompanying the Drill Dictionary, and other articles on youth slang and so-called MLE on this site too.
The phenomenon of Drill, to a lesser extent of Grime music and the gangs who use their style of rap and hiphop songwriting and recording, is so closely linked to the knife crime ‘epidemic’ that is being discussed as I write, that the connection can’t be downplayed or ignored. Today’s gangs, with their territorial disputes, drug-based economies and hypermasculine culture of bragging and ‘dissing’ differ from earlier incarnations in that they declare their allegiances and flaunt their activities semi-publicly online, using messaging, social media platforms and video recording.
I’m not of course suggesting that all the disturbing messages being exchanged by the gangs are accurate or sincere, or that the knifings and shootings they boast about have all really taken place. But I would propose very forcefully that anybody who is trying to analyse or engage with their behaviour must analyse and engage with what they themselves are saying and the language they use.
My own take on this is not just that of an interested outsider. For a decade now, and increasingly over the last five years I have been helping the police forces who are trying to control street crime and the lawyers who are defending those accused (nearly all of them teenagers). My task as a language analyst and an expert witness is to translate and comment on the slang terminology found on confiscated mobile phones, obtained by surveillance and electronic intercepts, or used in the course of live interviews. I’ve found that the officers in question and the legal representatives are dedicated, unprejudiced, painstaking and privately appalled at what they witness day-to-day. They may become familiar with the exotic, distressing language they are exposed to, but they require an expert objectively to interpret and assess the written or recorded evidence they work with, if necessary, too, to stand in court and testify on their or their clients’ behalf.
There are now a number of experts on the ‘multiethnolects’, the new urban speech patterns prevalent among younger speakers that mix elements of native and minority languages. Professor Paul Kerswill and Professor Jenny Cheshire were the first to name the phenomenon as MLE – multicultural London English – and have written extensively on it. There are also expert forensic linguists, such as Professor Tim Grant of Aston University, who employ linguistic methods in the analysis of criminal language, enabling them for instance to identify authorship and authenticity of anonymous messages and online communications by paedophiles and others. My own claim to expertise is that I am one of very few who focuses on up-to-date slang and on items of criminal vocabulary (the deliberately secret languages known as ‘cryptolects’), rather than the scientific analysis of longer sequences of speech or text.
In looking at recordings of gang member’s conversations, for example, it’s crucial to know that a burner is a handgun; dotty means shotgun, Rambo, ramsey, shank or nank is knife. When looking at jottings in a teenager’s notebook or listening to a hardcore Drill track recorded by a gang associate it’s essential to identify trap as a term for selling drugs or the location where it takes place, plug as a drug source, dip as stab, op as enemy, duppy as kill, dasheen as run away. The same words, catchphrases and slogans are shared across London and into other UK centres: the same mindset with its obsession with respect, its reverence for violence and its cruel bravado seems to apply everywhere.
"Every generation pretends gang crime is a new problem."
Rapper and author Akala says the social indicators of violence have "remained identical for almost 200 years". pic.twitter.com/aJO1raMFnn
Among the voices raised in the latest debate, Akala’s stands out as representing real experience of, and sympathy for the victims and perpetrators. I only feel that he underestimates the levels of violence tolerated and celebrated, the extent of the ill-gotten wealth and the technical sophistication of the gangs of today. Rappers routinely claim that their lyrics are a fictional reflection of an imagined street life, a poetic evocation of rage and intensity rather than a call to arms, but the words written by young knife-carriers that I have had to translate are exactly the same words used by the rappers. In some cases the rapper is the perpetrator – the killer himself. The young people living in the postcodes most affected by knife crime are of course dealing with the new reality every day, as explained here.
"Yeah I've got a knife right now."
These 15 and 19 year old gang members say carrying a knife is a "risk you've just got to take" because the penalty is "get killed or go to prison." #dispatchespic.twitter.com/sIeEzVyVqC
— Channel 4 Dispatches (@C4Dispatches) March 5, 2019
Beyond the gangs young people are speaking and writing and broadcasting about the pressures and oppressions of urban lifestyles. A good example is the short film on the inner city life, Drawn Out.
Knife crime is intimately bound up with gang slang and vice versa. To try to understand the killings and the woundings and their perpetrators and victims without understanding what they themselves are saying makes tackling the hugely complex problem much more difficult.
As a footnote, I have had a lot of very interesting and constructive feedback (suggestions, criticisms, donations of new terms) arising from this article and from my broadcast on the same subject on Voice of Islam radio. I also discussed all the issues involved with Rob Booth, Social Affairs Correspondent of the Guardian, who has published several insightful articles on innercity stress and street crime. His piece is here…
An update: in August 2020 the Sun newspaper reported on the new use of TikTok to post gang videos. Despite the sensationalist format the substance of the article is accurate…
**Please do contact me if you can supply examples of street slang for my databases. Contact me too if you need to interpret street talk or criminal slang yourself, or if you would like me to contribute to projects in this area.**
In May 2022 the LondonReview of Books reviewed Ciaran Tharpar‘s memoir of his time as a youth worker in South London and his experience of the gang milieu…
[It’s only January 5 now, in 2026, butextreme weather conditions and hyperbolic weather words are trending anew…]
Writer Melissa Harrison was intrigued when I posted on Twitter last night that ‘It’s pretty nipply out there.’ I was referring in facetious fashion to this January’s latest cold front – ‘cold snap’ has described a cold spell or sudden sharp frost since the 1740s – but the more literal nipply has been substituted by wags for the colloquial nippy (used in this sense since the 19th century) only since the 1990s.
We are bombarded at this time of the year by journalese hyperbole – the threat of thundersnow, the imminent arrival of The Beast from the East, the Siberian blast or even Snowmageddon. In January 2021 the UK press passed on warnings from the Met Office of a SSW – a Sudden Stratospheric Warming event, caused by a reversal in the direction of polar winds: at the end of November an Arctic Shot – a band of intense cold and high winds moving south and east – was announced. The need for Brits to try and keep abreast of their capricious and wayward climate changes, coupled with our love of flippancy and understatement has thrown up a number of quaint and folksy expressions treating the notion of ‘bloody freezing’, some of which risk leaving foreigners at a loss.
‘It’s a bit taters out there, I can tell you.’ Can still be heard, as I related in my Dictionary of Slang, in the ‘respectable jocular speech’ of older people, though it’s a shortening of the archaic Cockney rhyming slang ‘taters in the mold’ as rhyme for cold, originally describing not potatoes in a cooking tray, as I long thought, but potatoes lying in bed of loose earth (the ‘mold’) ready for harvesting. From a similar age-group and given the notoriously bad insulation of British buildings, you might still hear ‘There’s a terrible George Raft in here!’, the rhyme for draught borrowing the name of the Hollywood actor of the 1940s, famous for his stylish tough-guy roles on and off screen.
More modern colloquialisms for ‘cold’ are arctic and Baltic, the latter sounding like a slightly rude double entendre. Common in Scotland, it might just reference the cold weather systems that sweep towards the UK from that region, but since the 1990s has been heard on US campuses too, and in Northern Irish slang where it means both freezing and fashionably ‘cool’ or ‘chilled.’ More obscure is brick as adjective for chilly, cold, freezing, heard in American English, where the better known cold as a witch’s tit and colder than a well-digger’s ass originated.
On being met by a blast of freezing air the expression, or exclamation, brass monkeys is entirely appropriate. Baffled hearers will likely be told that this is a shortening of the vulgar expression ‘cold enough to freeze the balls off a brass monkey’ and, if their informer is better informed, that the brass monkeys in question were the racks of cannonballs stored on the decks of warships. This is, though, almost certainly a false, folk etymology. A more likely source is that novelty brass monkeys were sold in sets of three as desk or mantelpiece decorations from Victorian times. Each monkey’s hands were clasped to hide a part of the body and in some cases one was covering his – or her – genital area.*
Another very British way of understating the intense, unbearable cold is ‘it’s rather parky isn’t it.’ The word has been used, particularly in middle-class speech since before the First World War, but its origin remains obscure. It might be a dialect pronunciation of ‘perky’ in the sense of sharp and fresh, or from the word ‘park’ as used by gamekeepers to mean ‘(the cold) outdoors’. Nowadays in lighthearted family conversation it’s sometimes elaborated to parquet-flooring or Parkinson – the name of a well-known elderly TV presenter. The more emphatic perishing used to be rendered by Peregrine Worsthorne, the name of a journalist cruelly nicknamed ‘Perishing Worthless’ by Private Eye magazine. @the TuesdayMan on Twitter tells us that it’s Perez de Cuellar in his household.
Out in the frozen fields, away from the southern conurbations, another old dialect term still flourishes. Nesh can mean cold, or weak and susceptible to cold (hence also cowardly or contemptible) and still crops up in northern conversations. In Old English it was hnesce, weak or infirm and may derive ultimately from a Proto-IndoEuropean word for scrape or scratch. In the Potteries district in Staffordshire they still use starvin’ to mean feeling cold, and my friend and colleague Jonathon Green reminds me that the English Dialect Dictionary also lists as synonyms for chilly airish, chillery, chilpy, coldrife, cuthrie, dead, lash, oorie, rear, snelly and urly. From Grimsby John Mooney reports a local usage is ‘it’s a bit hunch, usually with a dropped aitch, meaning really cold’ while @fairfaaye on Twitter contributes an Ulster Scots expression: founthered (also foundered): meaning ‘chilled to the bone’; as in ‘thon day would founther ye’, I’m founthered wi tha caul’ or ‘he got a wile founther’. From Old Scots fundy, to suffer a chill, originally Old French enfondre, to be chilled.
Prompted by the breakdown of my central heating system I reposted all this on 22 January 2020 and The English Voice Bank on Twitter has responded with some new cold weather terms from the British Library’s Evolving English WordBank. One, recorded in Hull, is nithered, another is thanda, ‘a wonderful example of Punjabi-English code-switching supplied by a contributor from the West Midlands’. From Derby comes an example of rhyming slang:
In September 2020, as an Indian summer receded, @Tweetolectology posted this reminder:
* In April 2021 Angela White contacted me with more details on the ‘brass monkey’ derivation. I gratefully reproduce her observations here…
In your discussion about ‘brass monkeys’, you dismiss the idea of it relating to naval usage, the brass monkey was a cannon and the ‘tail’ was a lever used to aim the cannon. The same cannons were also referred to as ‘dogs’ and ‘drakes’. This is attested in: “short brass munkeys, alias dogs” from an inventory, ‘The articles of the rendition of Edenburgh-Castle to the Lord Generall Cromwel (1650)’ and “Twenty eight brass monkeys alias dogs” from Flagellum by J Heath (1663). in the 19th century, the phrase ‘cold enough to freeze the tail off a brass monkey’ emerged: “Whew, ain’t it blowing ‘Jehosaphat Bumstead & cold’, it would freeze the tail off of a brass monkey.” from ‘Before the Mast in the Clippers, the diary of Charles Augustus Abbey (1857).
At the same time, a range of other ‘brass monkey’ phrases emerged such as ‘as cheeky as a brass monkey’, ‘talk the leg off a brass monkey’ and ‘hot enough to singe the hair off a brass monkey’ etc. These probably originated from the popularity of brass monkey souvenirs from the Far East which depicted the three wise monkeys. [My Great-grandfather served in the British Army in the Far East in the late 19th century, so he may have brought back such a souvenir.]
In 20th century USA, the phrase changed to the current expression: ” Ernest said ‘It would freeze the balls off a brass monkey – that’s how cold it gets.’ from the notebooks of Thomas Wolfe (1900-1938). From a letter by Zelda Fitzgerald dated 1921, she writes: “This damned place is 18 below zero and I go around thanking God that, anatomically and proverbially speaking, I am safe from the awful fate of the monkey.” which was referred to in ‘The Far Side of Paradise’, a biography of F Scott Fitzgerald by Arthur Mizener (1951). This suggests that the phrase was in common usage by this time.
At the end of January 2022 the BBC report of a weather event in the USA introduced two new terms to its readers and viewers:
‘Experts say the storm will undergo bombogenesis, meaning that colder air is expected to mix with warmer sea air, leading to a swift drop in atmospheric pressure. The process leads to a so-called bomb cyclone.’
In early December 2022 the Daily Mirror specified the 10th of the month as the ‘Exact date weather monster ‘Troll from Trondheim‘ to blanket UK in wintry snow’
Four years later, and an early warning of the return of the Beast from the East:
If you’re familiar with any other slang, dialect or humorous, colourful terms for this season’s weather, please let me know. You will be gratefully credited.
This week, very late in the day, the mainstream UK media and the wider national conversation finally caught up with a social and political slur that had been trending for more than a year already. The insult in question was ‘gammon’, one of only a couple of pejorative labels (the other, slightly more affectionate, being ‘centrist dad’) directed from the left at the right as opposed to the many (‘libtard’, ‘snowflake’, ‘cuck’, etc.) routinely hurled in the other direction.
The word itself is British and denotes an orange-coloured side or slice of cooked ham or bacon often proposed as emblematic of the garish-looking, odd-tasting and nutritionally suspect dishes served (warm, with a pineapple garnish) across British tables in the 1970s (when, ironically, ‘gammon rasher’ was rhyming slang for ‘smasher’ in the sense of something superlative). Gammon was adopted from French gambon, from gambe meaning leg, in the 15th century, while backgammon is unrelated and probably comes from an old form of the verb to game.
Following the Times’ , the Expressand the New Statesman’s belated discovery of the word Twitter was a-buzz on May 14, first with protests, many seemingly by gammons themselves, at what were alleged to be its racist and classist implications and then with more coherent attempts to unpack its real denotations and connotations.
Someone with the handle ‘Build a wall, line all the nazis up along it’ explained…
‘Gammon isn’t about class, it describes white ppl who spend a lot of their time being pink because they’re so angry being white doesn’t make them special’
Exasperated by ongoing witless misunderstandings, I added my own two-penn’orth…
‘Nothing to do with class, it denotes florid, loud, usually lardy middle-aged ranting bigots. #simples’
By midday someone else had discovered a reference in Victorian literature that seemed to anticipate the modern usage…
‘My god, he’s right: @Protooptimism has discovered that Dickens used “gammon tendency” as a political insult in Nicholas Nickleby (1838-9):
It’s not quite clear whether Dickens’ use of the word relates to the slang sense then prevalent in the underworld, of ‘gammon’, verb and noun, to mean (‘to use) the secret, deceitful language of thieves and tricksters’, hence applicable perhaps to jingoism and bluster on the part of a ‘fervid’ middle-aged blowhard. An intriguing correlation with Irish was noted by another commentator…
(And in 2023 Michaela Perske informed me that ‘funnily enough “gammon” or “gamon” is a term used by Aboriginal people pretty much everywhere in Australia that means means ‘to pretend’, ‘be inauthentic’ or used to describe something as pathetic.’)
No linguists paid much attention at the time to the mutation of gammon from a collective term of abuse for a constituency or persuasion to a label applied to the individual members thereof. The BBC, though, carried a good, level-headed history of the expression’s first post- Brexit referendum appearances and its rise to prominence…
By the end of a long day the furore (by now dubbed ‘gammongate’) had somewhat subsided, leaving a few wry observational tweets…
‘Presume after today, use of a certain type of roasted ham as an insult will be prohibited. Hope there’s a gamnesty on previous usage.’
‘Since the words ‘Tory’ and ‘Whig’ both started as insults, I fully expect British politics to soon be contested between the Gammon Party and the Melt Party.’
‘It’s offensive to call people whose reactionary apoplexy makes them go pink-faced “gammons”. The correct term is “people of choler”.’
And, late news, this, perhaps (but unlikely to be) the last word, again from Twitter, this morning…
‘I’m a 55 year old white thinning cropped haired old punker. #Gammon isn’t racist, it perfectly describes the bigoted tossers of my own age group who turn pink when they get angry about their privilege being challenged. G’wan bust yer blood vessels you rancid foaming dinosaurs.’
…Five days on I discovered this, from the originator of the expression himself…
In November this year Collins Dictionaries listed the g-word among their words of the year. In the GuardianPoppy Noor argued that the left should steer clear of such name-calling…
The latest in a long series of moral panics (the term used by sociologists since the 1970s) exploited by the UK press and now subject of rancorous political debate, the issue of knife-crime and killings by street gangs, mainly in London, is genuinely concerning and is only now receiving the attention and analysis it demands. A side-effect of media interest is that the language used by the gang members and by the music genres that celebrate them is being recorded – haphazardly and not always accurately – for the first time. The musical genre in question is UK Drill, a successor to the ultra-hard-edged Trap Rap (from The Trap, slang nickname for the local area where drugs are dealt) that appeared first in Chicago in the 2000s. Drill (the word can signify shooting but has many other slang senses) has been adopted and adapted by hyperlocal urban communities in the poorer parts of London and, despite their claims, doesn’t just evoke the harsh realities of life on inner-city estates, but often glamorises it and seems to promote an ethos of territoriality, boastful masculinity and murderous retaliatory violence.
So far only very few reporters have managed to penetrate the groups whose members occupy and fiercely defend their microzones, fighting for control, too, of economies based on drug trading. The rappers emerging from the same postcode- or estate-defined enclaves compete and feud electronically, dissing and threatening their rivals in their lyrics – and in a few cases have actually been implicated in killings or woundings on the street.
In May 2018 the Metropolitan Police intensified attempts to ban videos associated with the music genre and the gangs caught up in street violence:
Since beginning this project I have managed to engage with some members of this subculture and find out more about their values and the way they encode them. In the meantime I have begun to assemble a lexicon of the most significant key terms they use, in a slang which mixes US hiphop argot and Caribbean expressions transposed to or reinvented in London (harking back to the Yardie gang culture of the 1980s). So far just a glossary, my list is far from complete, so please help me add more items if you can, or correct my mistakes. Here is this work in progress as it stands, now updated for March 2025, followed by some relevant links…
125 – scooter
3 – free (call to free a respected associate or known person)
Active – dependable associate
– involved in gang activities
Ahk, Akhi – brother, friend (from Arabic)
Axe – ask
Amm – cannabis (abbreviation of Amnesia, a potent strain)
Askari – police (from Arabic and other African languages)
Back out – draw (a weapon)
Bagged – caught by the police
Bagging – stabbing in the lower body
Bally, Bali – balaclava
Bando – abandoned property
Bands – coloured elastic bands tying batches of cash
Banger – hit, successful song
Bap – the sound of a shot or gunfire
– to fire (a gun)
Bars – lyrics
Battle – strength, competitiveness
Bean – head
(A) bean – honest(ly), truthful(ly)
Beef – dispute, feud
Bells – bullets
Bend – patrol(a neighbourhood)
Binned – shot
Birded off, birded up – imprisoned
Bite – steal
– copy
Bitz – one’s neighbourhood
– drugs weighing more than 7 grams
Blam – shoot
Blitz – raid, attack
Blow – leave, escape
– ‘take off’, achieve career success
Blunt – cannabis ‘spliff’
Bones – dead
Booj, buj – heroin
Bookie, buki – suspicious
Bora, borer – knife
Botty – firearm
Bout it – competent, skilled, authentic
Box – prison
Boxed, boxed in, boxed up – imprisoned
Bozz – leader
– excellent
Breeze off – leave town, disappear
Bruck, bruk – broken (down), broke
Bruckshot – sawn-off shotgun
Buj – obnoxious person
Bun – light up (a cannabis cigarette)
– shoot, eliminate
Burner – gun
Burst – shoot
Cabby– cigarette containing cannabis and cocaine or cannabis and crack mix
Cake – crack or cocaine
Cally – cannabis
Can – prison
Car, cah – because
Cat – drug user and/or drug purchaser
CBO – criminal behaviour order
Cheffed (up) – stabbed, killed
Chete – machete
Ching – knife
– to stab
Chinging – chilling and hanging out
– stabbing
Civilian – non-gang-member, non-combatant
Clap – attack, shoot
– steal drugs
Click – shoot
Codes – ‘postcode areas’, zones where gangs dominate
Corn – ammunition
Crash – raid, invade
– shoot
Crashing corn – shooting your gun
Crib – home
Cro – cannabis
Cunch – out-of-town locations where drugs can be sold
Cutter – knife
Cuttin – leaving, running away
– mixing or adulterating illicit drugs
Darg, dargie, dawg – male friend, ‘homie’, male active on the street, gang member
Dark – heroin
Dash – throw
– run (away)
Dasheen – running away, fleeing
Diligent – admirable, brave, cool
– dependable associate
Ding dong – dispute, brawl
also dinger, dinga, ding – cheap car
Dipped – stabbed
Dipper – knife
Don – respected person
Dottie, Dotty, Dotz – shotgun
Doughnut – idiot
Drawn out – involved in gang culture, under pressure from street crime
– lured, rendered vulnerable
Drenched – stabbed
Driller – shooter, gang member
Drilling – attacking, aggressing, invading
Dumpy – shotgun
Dun – kill(ed), punish(ed)
Dunn – friend
Duppy – kill, dead
Eating – succeeding, profiting
Elizabeth – money
Endz – one’s neighbourhood
Factor – important associate
4-door – saloon car
Febreze – spray a place to remove the smell of cannabis
– get rid of evidence of illicit activities
Feds – police
Field – danger-zone, combat area
Fishing – looking for victims
Flake – cocaine
Flashed – stopped, pulled over e.g by police
Flicky – switchblade knife
Flow – fluency, verbal skill
Food – drugs
Fry – shoot (at)
Gassed – excited
g-check – aggressively check someone’s gang credentials
Gem – weak person
Get the drop – acquire necessary information
Giraffe – £1000
Glide – drive into enemy territory
GM – (fellow) gang member
Go cunch/country – leave the city to sell drugs in rural/seaside locations
Got – attacked, robbed
Grubby – authentic, tough (neighbourhood)
Guv – prison officer
Gwop – money
Habsi, hapsi – black person
Hand ting – pistol
Hitter – gunman
Hottie – SIM card
Iron – gun
Jakes – police
Joint – gun
Jump out – undercover police on patrol
– emerge from a vehicle
Juiced – confident, energised
– bloodstained
Khala – black person
Khalas!– ‘that’s enough’, stop!
Ketchup – blood
Kick down doors, kick in doors, kick door – raid a domestic location
Kwef –violence
Kweff, Queff – kill with gun or knife, harm, attack
Kweng – cut, stabbed
Laces – ammunition
Lacking – caught unawares, without backup
Landing – prison, cell
Lane – main street, urban area
Layers – protective clothing
Leggin (it) – escaping, running away
Leng – gun
Let rip – fire a bullet or discharge a firearm
Light – cocaine, crack
Line – a drug-dealing operation or network
Link – contact, source for drugs
– make contact with, meet, collect
Lizzies – money
– mobile phones
Loud – cannabis
– impressive
Lurk – stalk a victim, prowl around
M – murder
Machine – gun
Mac(k) – automatic firearm, Mac -9 or Mac-10 small machine gun
Mains – close companions
– streets, urban zone
Marinate – relax
Mash – gun
Matic – gun
Matrixed – placed on the London Met police gang database
Matta – head
– main focus
Mazza, Mazzaleen – madness, crazy situation
Ments – mental, crazy
Milly – a 9mm pistol
Moist – disgusting, pathetic
– cowardly, weak, afraid
Monkey – £500
Mop – large gun
Motive – activity
Move – criminal operation, raid or attack
Munch – desperate, obsessive person
Nank – knife, stab
Nap nap – kidnap
Need – cannabis
Niff – cocaine
No face – masked, with identity concealed
OJ – ‘on job’, productive and successful in street activities
Old Bill – the police
On papers – on parole or probation
On road – outdoors, active in the streets/neighbourhood(s), eg engaged in selling drugs
On tag – fitted with an electronic surveillance device
On volts – intent on or engaged in violence
Ooters – shooters
– loyal associates
Opps – enemies
Opp-block – enemy territory
OT – ‘out trapping’, ‘out there’ or ‘out of town’, away on business, dealing in urban or country locations
Ox – razor, blade
Pagan, paigon – untrustworthy person, enemy
Paper, papes – money, cash
Passa – dispute, dramatic event
Patch – territory
Pattern – arrange, sort out, set up
Patty – slow-witted, ‘clueless’ or deluded person
– (white) female
Pave – streets
Pay – profitable activity, reward
Pebs, pebbles – pellets or deals of heroin, crack or steroids
Ped – moped
Pen – prison
Pepper – spray with shotgun pellets or bullets, shoot
Plot – plan, set up
– hang around
– conceal
Plug – a contact for drugs
Plugging – hiding drugs in rectum
Poke – stab
Pole – shotgun, gun
Popo – police
Posted up – hanging around, positioned to sell drugs
Pree – to check out, assess (a person)
Proper – excellent, admirable
Ps – money
Push, pusha – bicycle
Put in/on a spliff – killed
Rack – quantity of money, £1000
Rambo – large knife or machete
Rams, Ramsay – knife
Rep – promote or publicly declare for (one’s area, gang)
Ride out for (someone) – to defend, even if guilty
Riding dirty – going out armed and/or in possession of drugs
Rise – aim (a weapon)
Riz – cigarette papers
Rizzle – real
Road – street-smart, active in street culture
Rotty – firearm
Rusty – antique or old firearm
Sam, sams – samurai sword or large knife
Score – kill or injure an enemy
Scoreboard, scorecard – list of enemies killed, injured or defeated
Scram – gun
Scrub – worthless male
Scrum – attractive female, sex
Shank – knife
Sh, shh – ‘don’t mention this’, censored item
Shaved – insulted, humiliated, punished
– stabbed
Sheets – cigarette papers
Shneaky – discreet, secretive
Shoes – guns
Shot – buyer of drugs
Shotting – dealing drugs
Shouts – greetings, acclaim
Skate, skeet – run away
Skeng – knife, gun, weapon
Skududu – rapid gunfire
Slammer – prison
Slatt – cry of affection, respect
Slew – ruin, defeat
Sliding – driving into enemy territory
Slime – friend, associate
Smoke – kill
– disappear
– conflict, violence, hostility
Snitch – informer
Soak – stab
Special K – ketamine
Spinner, spin-ting – revolver
Spinners – petite females
Spitting – rapping
Splash, splash up, splash down – stab
Squirt – spray acid (over someone)
Stacks – large quantities of money
Stain – rob
– an armed robbery
– robbery victim
Stepping on toes – trespassing on or attacking enemy territory
Throwing up signs – making gang-related gestures with fingers
Ting – girl
– gun
Trap – neighbourhood, ‘ghetto’, area where drugs are sold, temporary location for dealing drugs
Trapping – hanging out, selling drugs or waiting for buyers to contact
Treesh – promiscuous person
Trey, tre – pistol
Trill – deserving respect, dependable, authentic
Tum-tum – gun
Tweed – cannabis
24s – all day
V – vehicle
Violating – behaving outrageously
Wap – gun
Warhead – cigarette containing a drug
Wass – stupid person
Weston – handgun
Wetter(s) – knife
Wetting – stabbing, killing
Whip – car
– break down (a drug) into smaller parts
Wok, wok house – prison
Woosh – shoot
Worksy – busy, diligent
Yammed – robbed
Yard – home
Yat – girl
Yay – crack
Yé – personal style, skill
Y.I.C – ‘youngest in charge’, young gang member taking or given responsibility
Yute – young person or young people on the street
Zombie – zombie knife
Zoot – cannabis cigarette
I’m keen to add more authentic terms and for my list to be corrected or commented on by those in the know. I’m very grateful indeed to all those who have already contributed, in particular Josh Jolly, Creative Director for PressPlay Media, Farhaz Janmohamed, George Baker and Nelson Bayomy and to the many students and Drill and Grime aficionados who have donated language.
You can find a dictionary of multi-ethnic London slang and other examples of so called MLE (Multicultural London English) here on my site. I have extensive files of youth language, available to researchers, journalists, etc. on request, and here are some more street slang terms from the UK Rap and Grime milieu, many also used by Drill aficionados:
I talked last week to London journalist Faima Bakar about the varying reactions to ‘bad language’ as manifested by men and women. In her investigations she is still finding that many males routinely chastise females, telling them that swearing is unattractive and inappropriate.
Both genderfluidity and the questioning of gender norms have fundamentally changed perceptions of feminine behaviour and of masculine responses too. At the same time the effects of social media in empowering women and giving them an equal voice have been transformative. But we can see from the messages exchanged on social media that many men have not evolved, cling to macho attitudes whereby – probably because they feel embattled and insecure – they choose to, or pretend to believe in such dated concepts as ‘ladylike women don’t use bad language.’
Swearing as a male trait is definitely embedded in 20th – century and to some extent 21st -century attitudes and assumptions: According to Jay (2000), individuals having high scores on the trait of masculinity will also swear most frequently, and:
Studies have shown that more honest and more intelligent people swear more – which may be a justification, if one is needed, for women’s effing and blinding in the 21st century!
Swearing is the language of power and indulging in it is part of the public or private exercising, or performing of power and of the celebration of it. Women’s language, as formerly perceived, was the language of powerlessness or reticence:
In a patriarchal society men impose taboos, then men claim the power to break those taboos – such as by using profane or offensive language. It’s very interesting to me not just that women are now reclaiming power in society and are swearing but that they are consciously using swearing as a statement of that power. This is evidenced, for example, on Twitter where there are many feisty (I’m aware that the word can be male code for ‘uppity’), witty, outspoken women who boast in their profiles or in their tweets that they are ‘sweary’. These tweeters, who include comedians, actors and writers as well as numerous unknown impresarios of obloquy, tease, mock and criticise offensive or unreconstructed males and use very rude words in doing so.
Here’s Faima’s article, with her own original insights and conclusions, in today’s Metro newspaper:
On a personal note, although I’m a linguist and obliged to treat ‘taboo’ language with absolute objectivity, and although I challenge the right of others to invoke moral or social disapproval, I still, hypocritically perhaps, criticise my own partner (who is not a native speaker of English) and my teenage son for being pottymouths, pointing out that delighting indiscriminately in expletives (which they both do) nearly always implies a lack of respect for hearers. Linguists assert that language can’t be viewed in isolation, but depends always on context, on the speaker or writer’s intent and on audience. Judgements can be made but based on what they call ‘appropriacy’ – the suitability of an utterance to its time, place and to those on the receiving end. If foul language is used, it should be indulged in only in the right setting – between friends who willingly join in, as part of a private conversation, a performance, even a Twitter tirade.
An update: ten days after Faima’s article was published Debbie Cameron responded on her blog:
In November 2002 the Sun newspaper reported that footballer’s wife ‘Posh Spice’ Victoria Beckham had launched a legal bid to stop second division football club Peterborough United from registering its nickname Posh as a trademark. The former Spice Girl claimed the word had become synonymous with her. ‘Sun readers, the paper affirmed, ‘back the club, which has used the name for eighty years.’ This little word epitomises both the English obsession with status distinctions and the jokey tone in which such a contentious subject is often addressed.
Fictional characters in the novel Diary of a Nobody, published in 1892 and the musical Lady Madcap, playing in London in 1904, sported the name Posh, and in a 1918 Punch cartoon a young swell is seen explaining that it is ‘slang for swish’. The first use of the word in the Times newspaper was in a crime report from May 1923, headlined ‘The Taxicab Murder’. ‘A walking stick was left at the scene of the crime, which the murderer left behind after shooting the driver, which belonged to his friend Eddie Vivian. He said…that he went out with Eddie’s stick because he wanted to be ‘posh’.’ In 1935 in the same paper the use of the word, which still appeared between quotation marks, was excused as ‘inevitably the idiom of the younger generation creeps in’.
The popular derivation, from the initial letters of ‘Port Out, Starboard Home’ allegedly affixed to the cabin doors of first-class passengers on P&O Orient Line steamships, is certainly false, as demonstrated by, among others, word-buff Michael Quinion in his 2005 book which took the phrase as its title. Posh seems to have been used in low-life slang for some time before it was first recorded in a dictionary of 1889 with the principal meaning ‘money’ and the subsidiary sense of ‘dandy’. It may be the same word, in the form ‘push’, meaning ‘swanky, showy’, that featured in Edwardian upper-class student slang (‘quite the most push thing at Cambridge’ was P.G Wodehouse’s description of a fancy waistcoat, from 1903). The ultimate origin, then, is obscure: in the Romany language which was a rich source of pre-20th century argot, posh could mean ‘half’, often referring to half a shilling/crown/sovereign, etc. so may have come to denote money in general, then the trappings of wealth.
In 1966 Michael Aspel was carpeted by the BBC for selling records of elocution lessons featuring his voice and that of Jean Metcalfe (whose obituary in 2000 noted her ‘deep, cultivated voice’, the ads for which implied, the corporation said, that broadcasting required a posh voice. Like class-consciousness itself, and like the assertively upper-class accents it often described, the word posh seemed to fall out of fashion after the end of the 1960s, only to reassert itself at the new millennium. At the end of the ‘noughties’, it took on a renewed importance with David Cameron’s accession to the leadership of the Tory party and fellow Old Etonian Alexander Boris de Pfeffel Johnson’s election as London mayor. As a literal synonym of privileged/wealthy/upmarket it is usefully inoffensive. Very frequently, however, it is used ironically, as in references to ‘posh nosh’ (typically very expensive sausages), and what online gossip site Popbitch dubs the ‘too-posh-to-push brigade’ – pampered mothers who opt for caesareans at private hospitals rather than natural births.
Reviewing Joanna Lumley mocking her own accent in a 2005 TV commercial, the Independent on Sunday commented, ‘In the 1960s, After Eights, Harvey’s Sherry and Cockburn’s Port were sold to Mrs Bucket’s everywhere on class – the idea that posh people bought them…if you want to do posh now it has to be spoofy and retro.’
In pop culture contexts posh has proved to be handy as an antonym of chav, especially in the numerous test-yourself quizzes in tabloids and online claiming to assess the underclass/toff-factor. From around 2000, ‘posho’ in UK campus slang has denoted a fellow-student perceived as from a wealthy or privileged background, while the litigious Victoria Beckham should note that in the same circles ‘Posh ‘n Becks’ is rhyming slang for sex.
Where accents are concerned the tide has seemed to flow in only one direction: in 2013 another broadcaster, the Radio 4 announcer Charlotte Green, accepted voluntary redundancy, declaring ‘received pronunciation, or accent-less accent [sic], is on the wane. The BBC’s days of employing people who sound like me are more or less over.’ She had once been voted the most attractive female voice on radio, that voice described as ‘a marvel, something to make one feel safe and secure, like being tucked up in bed with a hot water bottle.’ These days Cameron and Johnson play down their patrician tones to some extent, but fellow OE Jacob Rees Mogg incorporates a mannered, punctilious accent into his repertoire of self-presentation, adding to what the Sun terms ‘his ultra-posh exterior’ (the p-word is routinely applied to him by all sections of the media) and signalling to some the resurgence of a fogeyism that is either picturesque or (‘Please-Flog’ was one of the least offensive nicknames suggested in a Twitter poll) unsettlingly sinister.
Developing further some of the ideas in Sanjana’s article, and based on our exchanges, here are some more thoughts on the subject of multiethnic language, in a ‘question-and-answer’ format:
1. What exactly is ‘MLE’?
The term MLE, coined in connection with Paul Kerswill and Jenny Cheshire’s research on dialect in 2004, describes a ‘social dialect’, ‘sociolect’ or informal spoken style of UK English used initially by ‘younger’ speakers and first identified in and first associated with London. This way of speaking is characterised by a vocabulary reflecting a high degree of ‘black’ (Caribbean English, terms possibly coined by afrocaribbean speakers in the UK, to a lesser extent US black ‘street’ language and hip hop terminology) influences and by intonation patterns and certain pronunciations which differ markedly from standard UK English and differ also from ‘traditional white working class’ accents although they retain some features such as glottal stops and ‘f’ instead of ‘th’. In lay terms, MLE appears to have a ‘lilting’, more regular intonation, resembling Caribbean and also South Asian speech, with some noticeable ‘cockney’ elements too. Its structure and syntax (‘grammar’) may display ‘deviations’ from traditionally ‘correct’ taught forms and the prestige dialects of ‘standard’ English and RP (received pronunciation). In terms of vocabulary, samples I have collected can contain up to 80% of Caribbean (so-called ‘patois’, but this is a slightly contentious term; it can be used dismissively by whites, though is happily employed by Jamaicans themselves) or other BAME lexis such as Somali, South Asian and in some isolated cases a few Turkish and Polish terms.
The designation MLE is well-known and widely used but, especially since this kind of speech (it is still largely a spoken variety of language, though increasingly appearing in writing in music lyrics and TV scripts and online forums and messaging) is no longer restricted to London and the core vocabulary in particular has spread to speakers all across the UK, some linguists prefer to call it Urban British English (UBE) or Urban Vernacular(s) or refer to it as a ‘multiethnolect’. It is now understood that mixed varieties of the same type have appeared in other European centres, and those in Germany (influenced by Turkish), France (influenced by North African and Arabic language) and Scandinavia (Turkish, Arabic, Somali) in particular are the subject of research. These forms of language tend to include a high level of what can also be termed ‘slang’, ie very informal and deliberately opaque codes generated by peer groups, gangs and ‘microniches’ such as gamers, skaters, cosplayers.
2. How has it managed to pervade British youth culture?
In the 60s and 70s Caribbean English was only encountered in subcultures and popular culture via Calypso and Ska and Reggae music. Younger black speakers tended to be ‘ghettoised’ and tended to reinforce their own exclusivity by not mixing much with other subcultures – even the mods and skinheads who admired their music, so there was little spreading of black language. This began to change with the Two-Tone movement of the early 1980s, while in school playgrounds, on the street and in clubs, black speech began to gain social – at least subcultural – prestige, with young black males seen as the most resistant to the dominant culture. By the 1990s this tendency had combined with the rise of breakdancing, rap and its associated style displays (headgear, footwear, ‘bling’, etc.) USA to make it an overriding fashionable ‘wave’ carrying with it its own terminology. At street level in London I recorded white working class schoolkids in the 1990s using more and more ‘Jafaican’ (horrible pejorative term though it is) – crossing and codeswitching with what teachers called ‘creole’, ‘recreolised lexis’ or ‘patois’ in their conversations. By the later 1990s Sacha Baron Cohen’s character Ali G was satirising this speech and the poses and style affectations that went with it. In the 2000s the ascent of UK Grime music along with influences and buzzwords from US hip hop reinforced the same tendencies, while in subsequent years social media and showbiz played a part, though the essential language was still coming from the street, particularly in London from gang culture and spreading by word of mouth. Although the tabloid press and broadcast has picked up on the phenomena they have not contributed significantly to actually propagating MLE.
3. Why has MLE attracted so much attention when other kinds of dialect change are common?
MLE is associated with social unrest, crime and what in the 60s was called transgression and ‘deviancy’, therefore lends itself to sensationalising (and mockery too) by the media and displays of staged disapproval by representatives of the status quo (see for instance statements – and prohibitions – by educationalists, politicians, conservative journalists). ‘MLE’ is also much more important and pervasive in bestowing subcultural capital than any other instances of dialect change (which tend to operate in the regional margins and away from the attention of metropolitans), so in its own milieux and nationally it has overwhelmed other – relatively minor – changes in the lexicon or in phonology. Other forms of language change which are significant are the abbreviated codes (YOLO, FOMO, smh, obvs, etc.) and US slang (‘slay’, ‘woke’, ‘lit’, ‘(on) fleek’) used by young people on social media, and the faux-fashionable journalese use of jargon (‘Brexit’, ‘yummy-mummy’, ‘silver surfers’, etc.)
4. Is MLE unique to London and to English?
As noted above the same language phenomena are being observed in all global urban environments, most similarly in other diverse European capitals. In the UK MLE-like language is being studied particularly in Manchester (see e.g the work of Dr Rob Drummond and the Manchester Centre for Youth Studies) and Birmingham, but even in rural villages many kids are now familiar with the core terms (‘bare’, ‘peng’, ‘allow it’, ‘hench’ etc). Sadly, too, many entirely innocent British teenagers are familiar with the latest slang names of knives, guns and drugs.
5. Why are the borrowings in MLE overwhelmingly from Jamaica?
The Ali G persona was satirising what were then derided on the street as ‘wannabes’ or ‘wiggas’ (white niggas), pretending to be black, therefore cool. Gautam Malkani’s novel ‘Londonstani’ drew upon hybridity to mock a white boy pretending to be a cool Asian – actually a much rarer occurrence. Although Bhangra and Bhangramuffin music were briefly popular, as were musicians such as Apache Indian, Asian Dub Foundation and Jazzy B, South Asian pop culture, music and language has not challenged the domination of Afrocaribbean influence on MLE, hasn’t really crossed over despite Malkani.
The South Asian and Chinese and Japanese communities, Turkish and Somali and Polish communities for example just don’t have the same subcultural glamour and image of resistance and transgression, and therefore linguistic prestige as those with links to the Caribbean. It’s also very important that Caribbean speech is a variety of English, not a ‘foreign’ language, therefore very accessible and closely related, albeit with a very different sound.
6. Can the growth of this kind of multiethnolect be attributed solely to immigration?
The emergence of this type of mixed code, with accompanying informal lexicon and novel pronunciations is also about the dwindling within the UK of traditional social, cultural and linguistic authorities, the conditions of superdiversity in which people live and a new assertion of ‘minority’ identities, new access to media and communication. There are no longer power-groups within society or cultural influencers who have the capability of stemming or proscribing language change or enforcing disapproval of informal, provocative behaviour. Even when particular schools ban the use of slang, they are only momentarily affecting a very small segment of society.
7. Should we be worried by this particular aspect of language change?
From a purely objective linguistic perspective, language change, variation and innovation is not worrying. It’s a natural process, indeed a fascinating process and worthy of study. For someone like me, a lexicographer collecting slang and new language, new forms and new usages, as in the very dynamic and complex MLE matrix, are illustrations of the established workings of the language – the technical potential of English to create novel forms and combinations, also managing the well-known functions of language – to judge, to categorise, to help bonding and reinforce identities; the stylistic performance of language in terms of rhetoric, irony, poetics, etc.
BUT anything that is seen as part of a culture of crime, violence, drug abuse, family breakdown, even if it is more a product than a cause, will worry many people. Any significant changes in language will disturb and destabilise many people for whom their grasp of and usage of language is a fundamental part of their identity (often seen as something essential and unchanging, even if it isn’t really). For these reasons it’s not enough for linguists (or any liberals, ‘progressives’, descriptivists, etc.) simply to dismiss the concerns of traditionalists and conservatives – and ordinary worried parents, teachers and others. Given that you can’t legislate against such language, it’s important to study it, debate and discuss it and see it for what it is.
One possible reassurance is that MLE has been seen as a temporary, developmental, transitional practice, just as youth slang has been assumed to be something that young people grow out of once they enter the adult world of work, family and other responsibilities. I have written that the vocabulary of multiethnic slang is inherently unlikely to persist into adulthood, dealing as it does with adolescent concerns: dating, sex, experimentation, illicit practices and managing prestige and competition within teenage gangs for instance. My colleague at King’s College London, sociolinguist and discourse specialist Professor Ben Rampton has, however, shown in small-scale studies that some of the features of MLE, in particular the practice of ‘crossing’ or code-switching between languages in mid conversation, may not be confined to ‘youth’ and may not be discarded in that way*. For me, this possibility most obviously relates to its intonation and pronunciation which I think may well come to have a pervasive influence in many circles in the UK, possibly changing ‘mainstream’ English in years to come. This can already be seen not just in young white and Asian people consciously imitating the sound of Jamaican, but in a new rhythm and emphasis in everyday speech which is shared by a wide variety of young adults, so that if you hear but can’t see the speaker, it’s impossible to determine their ethnicity. This was nicely satirised by the TV comedy series PhoneShop but is now really the case in diverse communities like Croydon, the fictional setting for the show, and a few elements of which are showing up in reality TV abominations like Love Island.
For most linguists the yardsticks by which we judge language are not ‘correctness’ or association with prestige – ‘poshness’ in other words, but just two criteria: ‘intelligibility’ (is it mutually comprehensible?) and more importantly ‘appropriacy’ (is it the right kind of language to fit the social context?). If you apply the notion of appropriacy there’s nothing inherently bad about MLE, or slang, providing it is used in a suitable setting, such as a school playground, club, on the street, in private banter, and not in school essays, exams, job interviews, formal encounters, in front of your Gran, etc.
*Some sociolinguists think that focusing on ‘youth language’ itself is discriminatory and is creating false categories. I have been criticised myself, both by conservatives for celebrating ‘ghetto language’ and one or two linguists who accused me of labelling the young and their behaviour. All I can say is that young people I have interviewed have very often referred to multi-ethnic slang as ‘our language’, the language of ‘the youth’.
Three years later, in 2020, I talked to Audrey Damier about MLE, slang and London youth.
In April 2023Dr Christian Ilburymade freely available (and kindly gave permission for this link to) his hugely important article describing the ‘roadman’ persona as a central feature of MLE:
In May 2024 Dr Johanna Gerwin published her analysis of the UK press reporting on MLE and its construction and manipulation of ideologies and identities:
Of the TV series that have featured Urban Slang (or so-called MLE, ‘Multiethnic London English’) for me none surpassed, in authenticity, ingenuity and hilarity, the sitcom PhoneShop*, broadcast on Channel 4 between 2010 and 2013. Writer and producer of the series, Phil Bowker tells me ‘Like you, slang’s something that has fascinated me since I was a kid growing up in Liverpool.’ It’s a great privilege to be able to print here, with Phil’s blessing, the script of this sequence intended for his follow-up satire on multicultural Britain for BBC2 The Javone Prince Show**, but never broadcast. Phil explains, ‘I wanted to spoof the kind of BBC London style of hack news reporting but instead of the usual fayre of drugs and knives, I wanted to make it about slang.’ Relish now for the first time this exposé of …Real Talk ‘Slang’…
EXT. URBAN STREET
Andrew Milligan (Jason Barnett) is on a walk and talk.
ANDREW MILLIGAN
“Why is my man Parrin’ me?” “Dat Gyal is pengalicious” “Watcha me come and lick off a ya headtop” Words and phrases that you wouldn’t particularly want to hear coming out of your child’s mouth. But this is an everyday reality for thousands of parents across the Country as unscrupulous dealers are targeting our children at the very place where they’re most vulnerable: The school gate.
We cut to a School sign and then back down to Andrew as he crouches down outside the entrance. The floor is littered with discarded pieces of paper the size of christmas cracker jokes. There are lots of ‘capsules’ around too. He reads a couple of them – sickened at what he sees.
A mum (Debra Baker) Is interviewed in her spotless kitchen.
CONTINUED:
MUM
My 10 year old comes home, he calls his little brother a beg, calls me a slosher and tells me he’s goin his drum to blaze…’ What can I do about that? I ain’t got a clue what he’s talkin about….
Andrew Walk and Talk.
ANDREW MILLIGAN
We’ve all seen them plying their vile trade in pubs and car parks the length and breadth of the Country. The So called slang hawkers. You yourself may have even enjoyed using some casual slang at a dinner party. I’m ashamed to say, I have. I had bare laughs. But where does this slang come from? Who’s selling it, and what is the real cost? To find out, I took to the streets.
EXT.STREET. NIGHT
CUT TO:
Shot from a first floor window, we see Andrew making a call from a phonebox.
DEALER
(Voice Disguised) What you after?
ANDREW MILLIGAN
I’m looking for a, uh maybe a five pound deal?
DEALER
Fuck off. (Bleeped) You couldn’t even get a noun for that, you mug.
ANDREW MILLIGAN
What would, say £20 or £25 buy me?
DEALER
A small bag of verbs. Proper, good verbs, I don’t fuck (bleeped) around.
ANDREW MILLIGAN
Sounds good my man, but how can I guarantee the quality of your slang?
DEALER
You heard of swag?
ANDREW MILLIGAN
Yes, Swag. I think I’ve heard Louis Walsh say it.
DEALER
That’s one of mine.
ANDREW MILLIGAN
Wow.
Wide shot of Andrew waiting by the telephone box.
ANDREW (V.O)
In less than five minutes one of the dealer’s word soldiers rode by on a stolen mountain bike.
We see a kid riding past on a bike throwing at book at him. Andrew bends down to pick it up (It’s a dictionary) He opens it up to reveal a hollowed out centre with a small baggy in it. He furtively looks around and then opens the bag, looking at the tiny pieces of paper with words written on them.
ANDREW MILLIGAN
(slightly out of breath) The dealer wasn’t lying. There is a potency to this slang that I haven’t seen before. I have to admit, it’s quite thrilling.
INT. A STUDY
Talking head of Professor EB Black.
PROFESSOR
This is a massive problem we are sleepwalking into. Slang has been around for ever, but it was always kept at an acceptable level. It was fine for criminals, the working classes and immigrants but what we’re seeing now is a huge middle class uptake – it’s extremely frightening and this government needs to do something about it very quickly. I’m reluctant to use the word, but what we’re facing, is an epidemic.
Andrew swings round to camera.
ANDREW MILLIGAN
But what the chickenclart can be done?
CUT TO:
Hard cut to archive. Police raid on property. Shot of battering ram hitting door.
POLICE
Police!! Put the pens down! Drop the Quills! I repeat, Drop the Quills…
We cut to people coming out with their hands on their heads. They are all wearing glasses or visors. They look disorientated.
GANG LEADER
I’ll be back out on the streets in half an hour. You fucking rats.
He looks at the camera.
Penelope, get the bail money! It’s in the study underneath Eric Partridge’s Usage and Abusage….
ANDREW MILLIGAN (V.O.)
This slangmaster is facing a long “sentence” in a “pen” of his own making. But there is a way out. If not fi him, fi someone else.
CUT TO:
Talking head of reformed slang dealer Christian Gibbs.
CHRISTIAN GIBBS
I was always interested in language. The etymology, the syntax. Other kids would be out kicking a ball against a wall. I’d be indoors with me head in a thesaurus.
Andrew Milligan nods.
I started mucking around with slang. Making my own words up. Giving them away to mates in school. And then I realised. There was money to be made – and it went from there.
Andrew swings around to camera.
ANDREW MILLIGAN
Christian became so successful, within a year of selling his slang words illegally, he managed to buy his parents a new house, and was engaged to a Countdown semi-finalist. But things quickly went wrong.
CHRISTIAN GIBBS
I got greedy. I started mixing with the wrong people. I got too big too quick. At one point, I was running three or four terraced houses full of young academics twenty-four hours a day. I was effectively controlling most of the slang that was being sold in London. And then it all caught up with me.
EXT OF URBAN BASKETBALL COURT.
Christian is helping some young people to ‘lay up’
ANDREW MILLIGAN
After a spell at her majesty’s pleasure, Christian dedicated his life to helping the very people who once did his bidding in his urban slang factories.
CUT TO:
We see the trad shot of guys having fun. High 5ing etc
CUT TO:
Andrew Walk and Talk down an alley.
ANDREW MILLIGAN (cont’d)
Tragically, a few hours after that lay up we learnt that Christian’s past had finally caught up with him and he was ambushed by a gang of rival wordsmiths in a back alley Scrabble game.
He arrives at the taped off crime scene. There’s an abandoned Scrabble board and associated paraphernalia. He crouches down
ANDREW MILLIGAN (cont’d)
The last words he spelt out on the Scrabble board was a fitting testament to his memory: YOLO/ Gubati/Gggdedjs/
Andrew gets up and continues his Walk and Talk.
ANDREW MILLIGAN (cont’d)
So the next time you’re at a dinner party or even a simple kitchen supper and somebody decides it might be ‘fun’ to pass the ‘slang’ around, remember the real cost and just say no.
Much of the vocabulary of MLE, the speech variety known as Multiethnic or MulticulturalLondon English, derives (not always straightforwardly) from Caribbean or Black British usages, or from London’s white ‘working class’, often dubbed ‘Cockney,’ argot. There are, however, a number of slang expressions, used in the school playground and on the street by younger speakers, which come from elsewhere in the UK’s language matrix, even from archaic or foreign sources. Here are some examples…
Feen (n)
Means: a male person
Usage: “Who’s the feen over by the gate?”
The proper names for Yoofspeak, so linguists tell us, are MLE (multi-ethnic or multicultural London English) or UBE (urban British English, with ‘vernacular’ sometimes substituted for English), but not all playground language emanates from the larger cities and ethnic or ‘cultural’ doesn’t only mean Afrocarribean or Asian.
One term that’s widely used around the UK is rarely if ever heard in the Smoke, but belongs to a 300 year-old tradition. Feen, also spelled fein, has been borrowed from the slang of Travellers, the argot formerly used by Tinkers and known as Shelta, itself deriving mainly from Irish Gaelic. In Irish feen simply means “man” but in slang it sometimes has the extra senses of “stranger” or “rogue”. Don’t confuse this with the verb “to feen” (sometimes “feem”), a modern import from US street-talk, which is an alteration of ‘fiend’ and means craving for, or obsessing over, as in “I’m feenin’ for some weed” or “he’s feenin’ over that new girl.”
Hollage (n)
Means: something hilarious
Usage: “Have you seen Charlotte’s latest outfit? Très hollage!”
Posher teens have their own version of yoofspeak, their own mix of would-be street slang, babytalk and invented expressions, typically in the form of girly yells of approval (by both sexes) and squeals of delight (ditto).
When the denizens of the middle-class playground are trading witticisms a favourite trick is to insert touches of French – the odd real word (“quelle disaster”, “beaucoup trouble”) and Franglais pronunciations. “Rummage” (sex), and “bummage” (enthusiasm) have been frenchified, but current favourite is “hollage”, meaning huge amusement or hugely amusing, pronounced to rhyme with English “college” or like French “collage”, or, some young purists insist, as three-syllable “holla-age”.
It looks as if the little sophisticates have adapted “holla”, (the hip-hop version of “holler”, meaning to yell), one of cool Yoof’s iconic expressions from the noughties, and slightly misunderstood it in the process, since it originally described phoning, praising or seducing rather than braying with laughter. In the US the very similar-looking “holla-age” has indeed been used to describe “the appropriate way to acknowledge or compliment a female.”
Dinlo (n)
Means: an idiot
Usage: “You can tell Callum anything and he’ll believe it, he’s a right dinlo.”
Some linguists are claiming that far from dying out, regional dialects – and that includes local slang terms – are being helped by messaging, chatting and tweeting on social media sites, as well as old-fashioned word of mouth – to spread further across the UK. A probable example of this is yet another term for a complete dope, or dupe, (in practice nearly always male) which originated in Romany (and not in Cantonese as claimed on Urban Dictionary) as dinilo and has long been in use from the New Forest, via Portsmouth’s ‘Pompey – slang’ to East Anglia. Dinlo(w) is the usual form, although “dinler”, “dindler” and “dingle” have also been recorded. Yoof elsewhere have now added these to their already rich lexicon of insults, sometimes abbreviating to “dinny” or just “din”.
Trek (v,n)
Means: (to go on) a long and tedious journey
Usage: “Man we been trekkin’ for hours!” “From her endz to ours is a trek.”
Researchers into Yoofspeak will know that in nearly every batch of new expressions offered up as the latest teen lingo, there are one or two which are not really slang at all. This is because most of the younger generation are not familiar with them and don’t realise that they are standard English: also, to be fair, because they sound and look exotic, possibly subversive to the uninitiated. “Trek”, used more or less in its original sense is a popular feature of playground complaints – the moaners probably don’t know much Afrikaans (from which we got the word), and even Star Trek the Prequel is a distant memory. More recently the word, or the variant “treks!” can be an exclamation, declaring that something, not necessarily a journey, is too tiring or boring to bother with or to finish, but one post on Urban Dictionary defines it much more specifically – and perhaps just slightly more positively – as a “4-10-mile” walk undertaken to counteract the effects of drugs or alcohol.
Examples of the same phenomenon are “luka” or “lookah”, used by some London kids to mean money, which seems like Multiethnic dialect but is really the picturesque old phrase ‘filthy lucre’ after a makeover. (Oddly, in the US, the Slavonic boy’s name Luka seems to have been conflated with the colloquial “looker” to denote an attractive male.) “Burly”, which one user explained as a blend of “beautiful” and “gnarly”, expresses admiration for a tough-looking male, and “reek” as in “Ben’s room really reeks” is also considered a really cool novelty. (Incidentally and tangentially, adult informants tell me that for them “reek” mainly registers these days as the name of a character in TV fantasy Game of Thrones, or as a mistyping of ‘wreak.’)
(These terms were first recorded in my Youthspeak column in the TES)
tony thorne 