MOMENT MARKETING ….and COMPARISONING

Two more recent buzzwords, to reignite the debate that I delight in: are these ludicrous and redundant formulations, designed to bamboozle and bemuse, or are they valid – even laudable – examples of creative lexical innovation? 

 

MOMENT MARKETING

 Inspired by the 34 minutes in 2013 during which Oreo cookies seized on a power cut at the Super Bowl to tweet ‘…you can still dunk in the dark’, moment marketing, also known as adaptive or reactive marketing, is advertising’s current obsession. The concept stretches from running digital campaigns off the back of real-world events (Paddy Power and Mini cars capitalising on the horse meat scandal, Warburtons bakery on a royal birth) to personalising customer relationships by tracking what consumers are doing at particular times of day – accessing different media, planning journeys or caring for kids for instance – and recording significant dates in their lives. Brands can emphasise authenticity and spontaneity by reacting speedily to trending topics – not just sports but showbiz, politics, weather – cutting to a minimum the time it takes to get from ideation to posting. In the jargon this is described as moving from real-time marketing to right-time marketing, linking offline to online to exploit hype-cycles and micro-moments.

The notion’s topicality is captured in TVTY agency’s new year message for 2017…

“As we have seen in 2016, careful moment planning – the process of deciding which moments matter most to a target audience – can lead to exciting results…we’ve seen the Germans and Italians win gold at the Olympics, the FMCG sector scored big at the Euros and there was a huge surge in ad-jacking during the Super Bowl. But 2017 is set to be even bigger and marketers need to ensure moment planning is a top priority…we have highlighted the events that will capture the attention of millions of consumers across the globe in our new tent pole event calendar.”

 

COMPARISON

‘Before making buying decisions millennials prefer to comparison on digital media’ is an example of ‘nerbing’, the converting of nouns into verbs (conference, signature and caveat are other recent examples), which business jargon delights in. In the same way hero has morphed from familiar noun to trendy verb in the last couple of years, as in ‘we will hero the women who align with our brand values’. Verbs may also become nouns, witness the ask, the build and the recover, while some jargoneers have turned solve into a noun and made solution a verb. Incentive was transformed first into incentivise and later abbreviated to incent. Another twist is to create new plurals, for example ‘practitioners will share practical learnings and advice on how brands can scale their operations across geographies.’ Egregious errors or desperate attempts at novelty depending on your take, these innovations may sometimes signal a subtle shift in meaning, so that comparison as verb refers not to comparing in general but specifically to online sites.

More on ‘nerbing’ from an early piece in Buzz Feed:

https://www.buzzfeed.com/jwherrman/the-verb?utm_term=.spvE8aXO8d#.cdEQYNK7YA

 

TONY THORNE

 

Send buzzwords, jargon and new and exotic usages to tony.thorne@kcl.ac.uk

SHARP NUMBERS AND STATUS SPHERES

 

I’m interested in the extent to which the trendy jargon of business and lifestyle really is transient, as it’s often presumed to be. Many of the buzzwords which I discovered and tried to analyse back in the noughties decade are no longer current. Some of them never managed to escape the rarefied circles in which they were invented and briefly exchanged. Others, however, still resonate  – and still, remarkably, are seen as innovative and novel. Here are two examples of what I mean: can you decide in which years the following words were written?

 

Image result for presenting numbers interesting way

SHARP NUMBERS

I’m almost certainly in the top category – a so-called high skeptic – on Obermiller and Spangenburg’s grading of consumers’ resistance to advertising claims. I’m endlessly irritated for instance at prices that end in 95p or 99p rather than go the whole hog. This tactic is crude and familiar, but other forms of number manipulation and the quasi-technical terms describing them increasingly crop up in commercial conversation.

Theorists of customer behaviour and information load describe my bugbear as the (positive) nine-ending effect, closely related to the (negative) left digit effect – if increasing the price causes the leftmost digit to change, the sale may well be lost. In analysing consumer inference and the processing of brand information the experts cite a numerical superiority effect. This simply means that claims expressed in numbers (‘78.6% effective’) appear to be objective  – based on empirical data – while claims expressed in words (‘finished to the highest technical standards’) tend to be judged as subjective. The same distinction operates between round figures or round numbers, often suspected of being approximations or guesstimates, and sharp numbers, assumed to demonstrate verifiability. This quirk of human psychology the experts describe as precision heuristics. Round numbers incidentally don’t always have to end in zero: given our system based on tens, fives are also salient (i.e more memorable and processed more readily).

Mathematician Stanislas Dehaene highlighted these and other psychological features of number-perception a decade ago, (and Proctor and Gamble’s claim that their Ivory soap was ‘99 and 44/100 per cent pure’ is a century old), but only recently have they begun to cross over into public awareness. The housing market in particular has woken up to a related phenomenon, that buyers have an innate tendency to treat sharp numbers as lower than round ones. They may for example unconsciously perceive £725,000 as higher than £725,647. Sharp numbers play a key role, too, in the pique technique, also known as mindful persuasion, whereby a request is made in an unusual way to pique the subject’s interest, usually illustrated by the simple example of a beggar asking for 97p instead of a pound. Such requests have been shown to have a potential 60% success-rate as opposed to 10% for round figures.

In US financial journalism, by the way, the phrase sharp numbers has another, predictable, sense: it means the numbers that hurt.

 

Image result for spheres

STATUS SPHERES

According to research by Standard Life Bank two out of three Brits in their 30s and 40s are now suffering from status anxiety about their homes, prompting TV consumer psychologist Benjamin Fry to attempt a more detailed diagnosis. They are apparently experiencing improvenza, which sounds like another affliction, but is touted not as the disease but the potential cure, involving as it does reconfiguring the work-life balance and, as often as not, renovating rather than moving. The notion of status anxiety as a defining modern malaise has been around for some time, but was popularised by UK philosopher Alain de Botton in his 2004 book of the same name. US trendspotter Faith Popcorn has since argued that it is moral status anxiety which increasingly defines our attitudes. She and others have been predicting the end of conspicuous consumption, to be replaced by conspicuous austerity (slogan: ‘less is the new more’), thrifting (opting for low-cost, low-profile living) or conscientious consumption, whereby our individual standing is defined by how far we manage to combine spending and leisure pursuits with self-improvement and charitable works.

Amsterdam-based Trendwatching.com, who also single out status as the key driver of new consumer behaviours, this year upped the stakes by coining the expression status despair to describe the awful realisation, for example, that a fellow oligarch has a more sumptuously fitted-out private jet than you. Journalists have identified other manifestations of this new angst, ranging from yacht-envy to bag-envy. The latter, according to media strategist Tracy Hofman, can be countered by what she calls status flair, ‘the thrill that resonates when you realise that the quilted Chanel handbag you acquired in 1990 is now back in fashion!’

Trendwatching claim that, in an experience economy, hierarchies based purely on spending power are outdated, supplanted by so-called status-spheres; different areas of activity such as ‘participation’, ‘giving’, ‘experiencing’ from which individuals derive self-validation and peer-recognition. In the same way those physical status symbols – visible, tangible purchases for display – are giving way to status stories, told not by manufacturers but by consumers bragging to other consumers, presumably by word-of-mouth and by way of blogging and viralling, about their personalised adventure holidays, their web-presence, not-for-profit investments, eco-credentials, etc.

 

Nativity – piety and puns

Nativity Scene, Faras Cathedral - World ...

Christmas Eve in the Anglosphere is a curious concatenation of Christian iconography, pagan indulgence and excess (including in some cases the illicit practices described in my last post) and quaint folk custom. The tradition of the excruciating pun, still to be found inside the Christmas cracker, but now a staple, too, of waggish posts on social media, puts language centre-stage. A quite different shared language is the repertoire of terms used to tell the Christmas story itself: ancient, resonant words originating in the gospels and coming down to us by way of re-translation and reinterpretation, but so familiar as to pass unexamined.

This year I took a look at both varieties of Christmas language in this article for The Conversation…

https://theconversation.com/uncovering-the-language-of-the-first-christmas-70686

Barneblad: Christmas crackers! - The Norwegian AmericanImage result for stone manger wall

…and more on those awful cracker jokes here:

https://theconversation.com/the-victorians-gave-us-the-christmas-cracker-but-are-also-to-blame-for-the-terrible-jokes-inside-70745?utm_source=Twitter&utm_medium=Social&utm_campaign=Echobox#link_time=1482486752

Nine years later the BBC joins the pre-Christmas conversation:

https://www.bbc.com/news/articles/c741jg9k2dgo

…and here are thoughts from a believer on the name(s) of Jesus:

The Name of Jesus

(NOT) Girls’ Talk

 

Gal-dem, also galsdem or gyalsdem, refers in London’s multiethnic street-talk to a group of females (mansdem is the male counterpart). It’s also the name of a magazine for women of colour. I talked to Faima Bakar about the street attitudes that mean that girls are criticised for using slang and profanity while boys use them with impunity. The topic relates both to MLE, the mixed urban dialect favoured by many young people, and Banter, a hot issue again in 2016. Both of these are treated elsewhere on this site, but here’s Faima’s article on boys and slang…

 

http://www.gal-dem.com/girls-talk-street-tell-my-man-shut-up/

 

Multiethnic London English – a Handbook

mle-final-book_tony_s

…and ICYMI, here’s the MLE glossary again:

mle-terms_tony-1

               *But please don’t try to monetise it. It is Chris Nott’s copyrighted work.

The Game of the Name – and How Brands Have Played It

More thoughts about the perils, pitfalls and potentials involved in choosing brand and product names, prompted by the news that Corrections Corporation of America, which runs more than 70 prisons and houses 70,000 inmates around the country, is rebranding as CoreCivic. Mentioned in the  following radio programme from long ago are the Škoda company name, from which the initial Czech ‘sh’ sound has subsequently been dropped for UK ads, and their daring product name Superb which has subsequently  been validated by the car’s success.

The radio discussion took place before the days of podcasts, so this, courtesy of the naming agency Igor, is a transcript.

www.igorinternational.com/press/bbc-naming-a-product-business.php

Citroen Cactus – a thorny question of naming?

This week has seen (rather belated) bemusement online at the car manufacturer Citroen naming one flagship model the Cactus*. They say the word alludes to its low consumption and ‘sober’ image and the rows of ‘airbumps’ on its sides, but for Australians cactus is slang for ‘broken (down)’.

Image result for citroen cactus raison de nom

I mentioned Citroen’s – and arch-rivals Peugeot’s – puzzling naming tactics in an article back in 2002:

BABY YOU CAN DRIVE MY… MAZDA BONGO FRIENDEE

Car names and linguistic confusion

Tony Thorne

Others checked out last month’s Geneva motor show for the cutting-edge automotive technology, but not me. I’m a car buff of a different sort; a connoisseur of exotic model names. The star of this year’s show was the new luxury model from Renault. They are aiming this radical monospace at the so-called e-segment, the executive saloon class which in their words is ‘a world governed by codes which are emblematic of established social norms and of conformism’ …h-m-m.
The name of this code-breaker? The ‘Vel Satis’. H-m-m-m-m…I still haven’t figured out how to pronounce rival Citroen’s Xsara or Xantia – or what they mean. Is Vel Satis another example of Gallic perversity?

When you talk to auto-marketers about product names they alternate between the arrogant we-know-exactly-what-we’re doing and the coy we’re-not-going-to-tell-you-how-we-chose-it. I’m convinced nevertheless that the psychological effect of foreign-sounding words can make or break a product in a particular market. Lancia’s ‘Dedra’ may sound beautiful to Italians but to anglo-saxons it suggests that something has died. The VW Bora has never taken off in the UK, where some ignorant punters also said that the excellent Sharan conjured up an Essex girl in white stilettos. As for the tiny Renault Twingo, it has never even been marketed in English-speaking markets, perhaps because it sounds like a chocolate bar.

Pronunciation problems can’t help. What did foreigners make of Cadillac’s unpronounceable Phaeton or Brougham? Come to that, how did English-speakers cope? Not many people can afford the Lamborghini Murcielago – it means ‘bat’ in Spanish – but if even one potential buyer is put off because he or she can’t say it, that’s more than £100K lost. And I’ve never seen a Lancia Ipsilon Elefantino, but with that name I have my doubts that it’s going to restore the marque’s reputation in the UK

Of course name buffs won’t be satisfied by Geneva, they are looking forward impatiently to October’s Tokyo show. Last year’s was particularly memorable with the unveiling of the Mazda Secret Hydeout, the Suzuki Afternoon Tea, the Mitsubishi Mini Active Urban Sandal, the Suzuki Van Van (which isn’t a van), and who can forget previous landmarks such as the Mitsubishi Mum, the Daihatsu D-Bag, the Toyota Synus.

Japanese manufacturers are reluctant to explain the names, but there are rumours: for instance that when Nissan’s boss asked for the name of a heroic mediaeval knight the Cedric was born. The Colt Starion was said to be a Japanese attempt to pronounce ‘Stallion’, which might also explain this year’s Comprex. And the Toyota Ist (rhymes with ‘list’), could that just possibly be a mis-pronunciation of 1st as in first? No comment.

We can mock but the simple fact is we don’t count. For Japanese and East Asian consumers it’s the shape of the word that pleases, and English sounds cool per se, but the meaning is utterly unimportant. Even when it’s a double meaning: Mitsubishi’s Pajero pronounced in Spanish sounds like the slang for ‘masturbator’, Fiat’s Marea comes out in Spanish as ‘seasickness’. We English speakers can’t be smug: how could we sell the Chevy Nova into Latin America, where no va means ‘won’t go’, or the Pinto, which means ‘small penis’ in Mexico? Or the Rolls Royce Silver Mist in Northern Europe where ‘mist’ translates as ‘crap’.

We’ve come a long way from the innocent early days of models with reassuringly trustworthy names; in the anglophone markets ‘Fidelity’, ‘Safeway’, ‘Utility’ were typical. The fifties and sixties promoted status with the aspirational ‘Ambassador’, or ‘Marquis’, yielding in the seventies to macho-but-naff ‘Marauders’, ‘Valiants’, ‘Cougars’.

It must be significant that today’s successful models mostly have invented ‘international’ names like Mondeo or Premacy, or initials and numbers like XS5 or V70, but some car-makers just don’t learn. Vel Satis? I was stumped; vel is latin for ‘or’ and satis means ‘enough’. Still stumped. A lady from Renault France told me the phrase was a pure invention, ‘it can mean whatever you want it to’, but is intended in French ears to evoke ‘luxury, perfume’, a tantalisingly upmarket je ne sais quoi. I’m worried that the average UK driver will think ‘well-satisfied’, more the aftermath of a good dinner than a mysterious perfume, but one Irish auto-journalist claims the roomy car is aimed at ‘lardy executives’ anyway.

We’ll have to wait for a few more months to see if Renault’s challenge pays off. In the meantime, I’m hoping that Tokyo can come up with something to top the Mitsubishi Lettuce.

 © Copyright Tony Thorne 2002

Versions of this article previously appeared in the Guardian and British Airways’ Business Life magazine

 * Here’s Nancy Friedman‘s blog on the Cactus story…

http://nancyfriedman.typepad.com/away_with_words/2016/10/new-name-beat-citron-cactus.html

And in 2024 an update from the Economist…

https://www.economist.com/business/2024/05/16/how-not-to-name-a-new-car

In 2025 Jake Rossen covered the topic for Mental Floss…

https://www.mentalfloss.com/how-cars-get-their-names

Multiethnic London English – a Glossary

“The post-racial, non-rhotic, inner city,

Th-fronting, cross cultural,

dipthong shifting, multi-ethnic,

L-vocalisation, K-backing fusion of language”

As a linguist and lexicographer who once worked as a designer, I have long nursed the idea that an iconic reference work, especially one which celebrates and explores creative, exotic and subversive forms of language, could – should – also function as a work of art.

In 2013 I had the privilege of helping Chris Nott in the preparation of his graduation project at the Royal College of Art. Chris designed a glossary of, and a guide to MLE – Multiethnic London English – that functions as document and documentation as well as being a unique art object.

Chris, now working as a design specialist in the studios of Brody Associates, has given permission for this artefact to be shared for the first time. It consists of a glossary and a separate guidebook (which highlights the words from the glossary too)

Please do consult it, dip into it, read it from virtual cover to virtual cover, or, better still, print it on to high-quality paper and savour its tactility. Place it on a lectern under a strong light. Use it to teach your students, to inform your friends.*

The contents of this reference work, which includes contributions from other lexicographers and linguists, are still topical, relevant, revelatory three years on. The visual elements and format remain unique.

The samples of language and the commentaries presented in the book move our thinking beyond ‘slang’, beyond older notions of race and class, to consider the post-ethnic realities of a UK subject to what theorists now call Superdiversity, in which, especially but not only for younger speakers, complex questions of identity are bound up intimately with language, style and symbolism.

For me what is also essential in treating slang, dialect or jargon is to go out into the streets, the clubs, school playgrounds and workplaces and record the actual words of their users, words which might never otherwise appear in popular or academic publications.

MLE, Multiethnic London English, now sometimes referred to as Urban British English or Interethnic Vernacular was the designation given to a developing social dialect, featuring a slang vocabulary and new patterns of pronunciation and accent, that came to notice at the end of the 1990s and has since influenced the speech of younger speakers in particular beyond London itself.

Here is Chris Nott’s work. First the Glossary…

mle-terms_tony-1

In a few days Chris’s 300-page Guidebook to MLE will be made available too

 

 

 

*But please don’t try to monetise it. It is Chris Nott’s copyrighted work.

WACKAGING

WACKAGING

 

‘Wacky’ packaging or wackaging, a trend I wrote about in 2014, is back in the news this week as one of its first practitioners, Richard Read, co-founder of Innocent, reminisces in a Guardian article*

Image result for wackaging

Chiming with marketing’s turn towards storytelling and narrative, and the ‘brands are people’ mantra, packaging has gone wacky. Cutesy phrases (‘hello, my name is Caramel Brownie’) first appeared on the back of smoothie bottles more than a decade ago, now a whole range of supposedly chummy, cheeky products are talking back to the customer (‘please pop me in the fridge’). When the producer – ‘our lovely little company’ – tells you its life story on the label, it can seem intimate and fun, but eventually the faux-familiarity and baby-talk grates. The trend has spread to services, too: banks and utilities have gone chatty, and have you noticed that when your browser asks you if you want to translate a text, one option is ‘nope’. Mail error messages have switched to matey (the jargon term is hypercasual) comments such as ‘I’ve given up. Sorry it didn’t work out.’ Some commentators see this as part of a wider phenomenon: the infantilisation of popular culture and media and the pandering by brands to a toddler sensibility detectable in consumers of all ages. Wackaging will probably survive a backlash or two, but hopefully only when targeted at real infants, not kidults and adultescents. Alarmingly though, food manufacturers are experimenting with products and displays that really do engage the buyer in conversation, either via their mobile phones or with the aid of in-store devices. They say the move is targeted at the visually impaired and elderly, but the appearance of audio-empowered sausages and buttonholing robo-strangers lurking in the aisles can’t be far behind.

Vice UK editor Rebecca Nicholson put a collection of examples of the wackaging trend on Tumblr in 2011:

http://wackaging.tumblr.com/

*The Guardian article referenced above is here:

https://www.theguardian.com/books/2016/oct/23/richard-reed-interview-if-i-could-tell-you-just-one-thing-richard-branson-heston-jo-malone

 

Send buzzwords, jargon and new and exotic usages to tony.thorne@kcl.ac.uk

 

 

THE DICTIONARY, BY DESIGN

In recent posts I  have been looking at novel ways of mixing words and images and at the exploitation of nonstandard language varieties – slang and jargon in particular – for marketing, advertising and publicity. The format of the dictionary entry itself, the very familiar sequence of headword, part of speech and definition, lends itself to imitation in the same causes, as discussed here by naming expert Nancy Friedman:

http://nancyfriedman.typepad.com/away_with_words/2016/10/you-could-look-it-up.html

After studying Nancy’s article (included here with her kind permission) I tried in vain to find counterexamples: mainstream ads that had succeeded in using the reference-book template in original and striking ways. I did recall, though, some microexamples from closer at hand, the work of the design team at King’s College London with whom I’ve collaborated. These focused on colloquial language such as cliche, slang and catchphrase, presented in the visual style of thesaurus or academic document, playing with the expectations of a local target audience of students.

In 1998 slang, ancient and modern, and the thesaurus were evoked in an advertisment for student accommodation which proved popular with its intended readership:

KCL My digs 1998.JPG

Just recently an appeal for students to take part in a national survey combined a checklist or questionnaire format with plays-on-words, (over)familiar expressions and the sort of throwaway responses that students might employ:

P1090546 (574x800) (574x800).jpg

P1090550.JPG

P1090547 (651x800).jpg

P1090548 (561x800).jpg

P1090549.JPG

A little closer in spirit to Nancy’s examples, but more successful I think because target and context-specific is the mug designed for alumni of King’s College which plays on the Latin word itself, its correlates in English and, in dictionary style, its etymology.

Image result for KCL alumni mug

 

In my next post I hope to present for the first time a unique slang glossary and guide, created by a design specialist, which is at the same time a book to treasure, a rich source of information and a memorable art object.